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Hi and welcome to Pickehead Music News! April 3, 2006 19:26
Hi and welcome to the first entry into the Picklehead Music News, your source for news and information on the world of comedy music, stand-up comedy, the indie music scene, and a whole lot more. Here at the Picklehead Mansion, we believe in keeping our visitors up-to-date on the latest happenings around the world of comedy music. We also do some shameless self-promotion at times, but hey, we've got lift tickets to buy, limos to fuel, and good cigars don't come cheap these days!
Wayne Faust Schedule Update 4/10/06 April 10, 2006 20:47
I'm back at Sloppy Joe's in Key West in May, along with another show in Dunedin at Flanagan's, which is near Tampa Bay, so I really look forward to getting back down there. I'm also at a brand new place in Wiggins, Colorado in April and May, and back in Columbus, Nebraska in April. Stay tuned for details about more shows this spring and summer. Wayne Wayne played here several times in the past few years. It's a great, rowdy club, that really likes their comedy. Saturday, April 29th - Private Show - New Orleans, Louisiana Wayne was here last spring for a show and had a great time, thanks to Wayne's Tampa Bay-area fans. NEW! Wednesday, June 21st - Private kids' show - Indian Hills, Colorado Tuesday, July 4th - Private kids' show - Indian Hills, Colorado Saturday, November 11th
The Sad But True Story Of Bird And Macdonald April 14, 2006 07:36
Dave Pratt of KUPD in Arizona locked himself in the studio and played "Candy Wrapper" 99 times in a row and was later called to Washington to apologize to the FCC. "Shotgun" Tom Kelly of KGB in San Diego played the same song and received the largest fine in radio history (probably only topped recently by shock-jock Howard Stern). Always a day late and a dollar short, Bird and Macdonald fizzled out after a ten year partnership leaving behind disappointed fans, a pending movie deal and a number of groupies with an assortment of exotic and mysterious diseases. Bird pursued an acting career but never landed "the big part." Macdonald lost most of his hair and has a really big part. They broke up a year before the comedy boom of the early 90's. Bird & Macdonald were before their time. Bob Tyler
Dr. Demento – a Comedy Music Original April 17, 2006 15:03
Unless you’ve been living in a cave for the past 30 years, you’ve probably heard the name Dr. Demento, even if you’ve never heard the Good Doctor’s radio show (or maybe you thought he was a practicing physician?). Anyway, Dr. Demento is host of his own weekly-syndicated and wildly popular radio show, appropriately-named "The Dr. Demento Show." On the air for over 35 years, Dr. Demento has describes his show as "Mad music and crazy comedy from out of the archives and off the wall. Rare records and outrageous tapes from yesterday, today, and tomorrow." The Dr. Demento show is heard on over 200 radio stations in the U.S., and is carried abroad on the Armed Forces Radio Network. Legend has it that the show got its name when Barry Hanson (aka Dr. Demento) was playing "Transfusion" by Nervous Norvus on the radio one day, and someone said, "You've gotta be demented to play that!" Soon after that, the DJ before him announced, "And now, ladies and gentlemen, here's Dr. Demento!", and the name stuck.
Crazy About That Funny Music April 21, 2006 07:03
I’ve liked funny music since I first started listening to music. During my grade school years in the 60’s there were a bunch of great records. One of my earliest memories is of Alan Sherman’s "Hello Muddah Hello Faddah," which was actually based on Ponchielli's "Dance of the Hours" from La Gioconda, so maybe funny music is classy after all. I also loved "Itsy Bitsy Teenie Weenie Yellow Polka-dot Bikini" by Brian Hyland, "Alley Oop" by The Hollywood Argyles, featuring Kim Fowler (a respected songwriter who wrote lots of ‘serious’ songs), and whole albums of songs by Ray Stevens, who made a career out of funny music. The 60’s seemed to be a golden age for funny music. The songs were all singable, and after you got the joke, they were still fun to listen to.
Into Funny Folk Music? Check Out "The Foremen" April 24, 2006 08:59
Here's a short bio on The Formen and their members: Folk music had its day in the sun. But it got all blotchy and had to go back underground. In the meantime, Roy Zimmerman created The Foremen and brought to the Nineties what Folk Era groups like The Limeliters and The Kingston Trio brought to the early Sixties: twangling instruments, knife-edged four-part harmonies and biting, hilarious satire. Zimmerman founded and wrote all the material for The Foremen, who recorded four albums, two for Warner Bros Reprise. The Foremen toured extensively, playing the nation's major folk venues, a lot of fancy Progressive benefits, Pete Seeger's Clearwater Festival (under an overpass in the rain) and CBGB. They even warmed up the crowd for President Bill Clinton.. The group was featured on NPR's "All Things Considered," and many other syndicated talk radio shows. They shared the air with Al Franken on NPR's "Talk of the Nation." They got to sing Zimmerman's lampoon of Oliver North, "Ollie Ollie Off Scott Free" directly to the colonel himself on North's own syndicated show. "Friends," said North, "this is a very weird group." "Firing the Surgeon General," Zimmerman's song full of euphemisms for masturbation, was used in MTV's "Sex in the Nineties" documentary. About The Foremen, the LA Times said "Zimmerman displays a lacerating wit and keen awareness of society's foibles that bring to mind a latter-day Tom Lehrer." Tom Lehrer himself said, "I congratulate Roy Zimmerman on reintroducing literacy to comedy songs. And the rhymes actually rhyme, they don't just 'rhyne.'" Joni Mitchell said, "Roy's lyrics move beyond poetry and achieve perfection."
Ian Whitcomb -- Featured Artist April 27, 2006 08:39
Did we also mention that Ian's an author? As an author, hes best known for his classic book on the history of pop music from rag to rock, entitled "After The Ball", still in print after a quarter of a century. He has published ten other books, including a biography of Irving Berlin, a memoir of his life in Los Angleles, and a novel set in Southern California. Visit his website for a collection of his recent articles on a variety of subjects. Here's an excerpt from one of Ian's articles on the famous composer Irving Berlin: IRVING BERLIN IN HOLLYWOOD So it was no surprise to find a proven Berlin smash, "Blue Skies", occupying the key scene in "The Jazz Singer" (1927), the movie that sounded the death knell of silent pictures. The song had been written as a stage vehicle for Belle Baker in an ailing Broadway show of Rodgers & Hart's. But Al Jolson, in the movie, took "Blue Skies" to his heart, telling his mother it was all his own work, proclaiming his ecstacy to the world. The world was amazed and talkies were on their way. So was Irving Berlin, hoisted up by Al Jolson, an old Alley colleague, into the position of having another First. He'd had so many Firsts since those early years of the 20th century when he'd been little Izzy Baline, the singing waiter who wrote songs yet couldn't read or write music. Some kind of natural genius, thrown naked into this world with all the knowledge and none of the know-how. He'd had the first world-wide hit in "Alexander's Ragtime Band" (1911) when he'd captured a new energy in the air and called it "ragtime". In faraway Russia even the Czar's military band cut a version. Vaudeville stages cried out for more of the same: Berlin rode the wave for all his worth, producing "The Ragtime Soldier Man", "The Ragtime Jockey Man" and "The Ragtime Violin". Soon he was the self-proclaimed "King of Ragtime, and proceeded to take his sensation into Stephen Foster territory like The Sunny South ("When The Midnight Choo Choo Leaves For Alabam'") and into new situations like the Urban Ghetto with its claustrophobic tenement culture ("Snooky Ookums")
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